Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Monday, May 18, 2009
The 'Other' Hay Festival
How The Light Gets In is the UK's first philosophy and music festival in Hay on-Wye which runs over the same ten days, 22-31 May, as the Hay Literary Festival. For the first time ever in the UK, music and philosophy collide as top thinkers, leading musicians and pioneering artists explore the issues that matter through debate, music and live performance. With the overall theme: ‘Crunch. Values and Belief in a new era’ the Philosophy Sessions examine where we are and where we might go from here. The festival brings together a celebrated cast of speakers including philosophers Simon Blackburn, Susan Neiman, AC Grayling, sociologists, Steve Fuller, Zygmunt Bauman, and political theorists Will Hutton, Phillip Blond, Geoff Mulgan. Evenings are host to musical sets from performers including Michael Nyman, Baka Beyond, Stephen Fretwell and many more; and daily comedy sketches come courtesy of the likes of Ed Aczel and Robin Ince.
Saturday, September 01, 2007
Shameless Self Promotion...
In case readers are interested, both in general terms, and because of a piece entitled Even Philosophers Get the Blues, see this press release (also available from Amazon, etc):
The impact of African American music on western, white popular music is well documented. But while much has been written about the influences of black music on early rock n’ roll and the explosion of British popular music in the 1960s, little has been said about the earlier, and broader, effects.
Cross the Water Blues: African American Music in Europe (University Press of Mississippi) is a unique collection of essays examining the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the 20th century.
Editor Neil Wynn has assembled a broad exploration of different musical forms such as spirituals, blues, jazz, skiffle, and orchestral music. The contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands.
The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, and Neil A. Wynn
Neil A. Wynn is professor of twentieth-century American history at the University of Gloucestershire. He is the author of Historical Dictionary from the Great War to the Great Depression, From Progressivism to Prosperity: World War I and American Society, and The Afro-American and the Second World War.
For more information contact Clint Kimberling, Publicist, at ckimberling@ihl.state.ms.us
Read more about Cross the Water Blues: African American Music in Europe at: http://www.upress.state.ms.us/catalog/spring2007/cross_the_water_blues.html
Essays prove the Blues was an African American invasion of European music.
The impact of African American music on western, white popular music is well documented. But while much has been written about the influences of black music on early rock n’ roll and the explosion of British popular music in the 1960s, little has been said about the earlier, and broader, effects.
Cross the Water Blues: African American Music in Europe (University Press of Mississippi) is a unique collection of essays examining the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the 20th century.
Editor Neil Wynn has assembled a broad exploration of different musical forms such as spirituals, blues, jazz, skiffle, and orchestral music. The contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands.
The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, and Neil A. Wynn
Neil A. Wynn is professor of twentieth-century American history at the University of Gloucestershire. He is the author of Historical Dictionary from the Great War to the Great Depression, From Progressivism to Prosperity: World War I and American Society, and The Afro-American and the Second World War.
For more information contact Clint Kimberling, Publicist, at ckimberling@ihl.state.ms.us
Read more about Cross the Water Blues: African American Music in Europe at: http://www.upress.state.ms.us/catalog/spring2007/cross_the_water_blues.html
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